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The Faculty of Arts at UBC brings together the best of quantitative research, humanistic inquiry, and artistic expression to advance a better world. Graduate students in the Faculty of Arts create and disseminate knowledge in the Humanities, Social Sciences, and the Creative and Performing Arts through teaching, research, professional practice, artistic production, and performance.

Arts has more than 25 academic departments, institutes, and schools as well as professional programs, more than 15 interdisciplinary programs, a gallery, a museum, theatres, concert venues, and a performing arts centre. Truly unique in its scope, the Faculty of Arts is a dynamic and thriving community of outstanding scholars – both faculty and students. 

Here, our students explore cutting-edge ideas that deepen our understanding of humanity in an age of scientific and technological discovery. Whether Arts scholars work with local communities, or tackle issues such as climate change, world music, or international development, their research has a deep impact on the local and international stage.

The disciplinary and multi-disciplinary approaches in our classrooms, labs, and cultural venues inspire students to apply their knowledge both to and beyond their specialization. Using innovation and collaborative learning, our graduate students create rich pathways to knowledge and real connections to global thought leaders.

 

Research Facilities

UBC Library has extensive collections, especially in Arts, and houses Canada’s greatest Asian language library. Arts graduate programs enjoy the use of state-of-the-art laboratories, the world-renowned Museum of Anthropology and the Belkin Contemporary Art Gallery (admission is free for our graduate students). World-class performance spaces include theatres, concert venues and a performing arts centre. 

Since 2001, the Belkin Art Gallery has trained young curators at the graduate level in the Critical and Curatorial Studies program in the Department of Art History, Visual Art and Theory. The Master of Arts program addresses the growing need for curators and critics who have theoretical knowledge and practical experience in analyzing institutions, preparing displays and communicating about contemporary art.

The MOA Centre for Cultural Research (CCR) undertakes research on world arts and cultures, and supports research activities and collaborative partnerships through a number of spaces, including research rooms for collections-based research, an Ethnology Lab, a Conservation Lab, an Oral History and Language Lab supporting audio recording and digitization, a library, an archive, and a Community Lounge for groups engaged in research activities. The CCR includes virtual services supporting collections-based research through the MOA CAT Collections Online site that provides access to the Museum’s collection of approximately 40,000 objects and 80,000 object images, and the Reciprocal Research Network (RRN) that brings together 430,000 object records and associated images from 19 institutions.
 

Research Highlights

The Faculty of Arts at UBC is internationally renowned for research in the social sciences, humanities, professional schools, and creative and performing arts.

As a research-intensive faculty, Arts is a leader in the creation and advancement of knowledge and understanding. Scholars in the Faculty of Arts form cross-disciplinary partnerships, engage in knowledge exchange, and apply their research locally and globally.

Arts faculty members have won Guggenheim Fellowships, Humboldt Fellowships, and major disciplinary awards. We have had 81 faculty members elected to the Royal Society of Canada, and several others win Killam Prizes, Killam Research Fellowships, Emmy Awards, and Order of Canada awards. In addition, Arts faculty members have won countless book prizes, national disciplinary awards, and international disciplinary awards. 

External funding also signifies the research success of our faculty. In the 2020-2021 fiscal year, the Faculty of Arts received $34.6 million through over 900 research projects. Of seven UBC SSHRC Partnership Grants awarded to-date, six are located in Arts, with a combined investment of $15 million over the term of the grants.

Since the 2011 introduction of the SSHRC Insight Grants and SSHRC Insight Development Grants programs, our faculty’s success rate has remained highly stable, and is consistently higher than the national success rate.

Graduate Degree Programs

Recent Publications

This is an incomplete sample of recent publications in chronological order by UBC faculty members with a primary appointment in the Faculty of Arts.

 

Recent Thesis Submissions

Doctoral Citations

A doctoral citation summarizes the nature of the independent research, provides a high-level overview of the study, states the significance of the work and says who will benefit from the findings in clear, non-specialized language, so that members of a lay audience will understand it.
Year Citation Program
2020 Dr. Patchin examined the cultural and geographical politics of the Zika public health emergency. Her findings show that Zika intervention was deceptive and coercive, with the potential for destructive consequences in environmental and reproductive health. This work contributes to theorizing human reproduction amidst growing ecological uncertainty. Doctor of Philosophy in Geography (PhD)
2020 Dr. Vig examined an important literary genre within the Sikh tradition called gurbilas, written in Brajbhasha, and located it within the cultural and religious context of early modern North India (c. 1500-1850). Her research opens up a rich world of shared imaginaries between the Sikhs and other religious communities, as well as cultural worlds. Doctor of Philosophy in Asian Studies (PhD)
2020 Dr. Hallenbeck worked in collaboration with Coast Salish and Sahtu Dene storyteller, playwright and fisherman Rosemary Georgeson, to develop a decolonial approach to archival research. The thesis decenters the colonial archive and retells the history of the endurance of Indigenous women's connections to water, fish, and family along the Salish Sea. Doctor of Philosophy in Geography (PhD)
2020 Dr. Ransom examined the nature of perceptual learning for expertise, arguing that it is best understood as involving a change in the contents of perceptual experience itself, rather than simply the sorts of inferences experts are able to make. This has an impact on real-world training programs in fields from medicine to military to art criticism. Doctor of Philosophy in Philosophy (PhD)
2020 Dr. Turgeon-Solis studied Eighteenth Century authors' fascination with the figure of the nun. Her research sheds new light on a social imagination that was prevalent in the Eighteenth Century, and is an original contribution to the study of the representation of women in literature. Doctor of Philosophy in French (PhD)
2020 Dr. Johal's research seeks to understand how shame and stigma have shaped women's participation in Punjabi theatre, and to analyze the factors that can enable female participation and success in the face of constraint. Her research focused on the life stories of four women who have made significant contributions to Punjabi theatre. Doctor of Philosophy in Asian Studies (PhD)
2020 Dr. Jackson examined artist placements within industry and government in the U.K. and Western Europe from 1969-1976. Exploring themes of class, labor, time, and the political potential of art, Jackson proposed an alternative perspective of the relationship between art and politics during the 1960s and 1970s. Doctor of Philosophy in Art History (PhD)
2020 Dr. Snoddy studied regionalization in the labour market, particularly the effects of internal migration and union wage spillovers at the city level. He developed a new method of controlling for selection bias caused by internal migration, which uses machine learning tools to improve on existing methodologies. Doctor of Philosophy in Economics (PhD)
2020 Dr. Ozburn examined generalizations about which sounds in some languages can be exempt from a process called HARMONY, in which vowel sounds within a word must match in some aspect of how they are pronounced. She argues that traditional treatments of such exemptions are inadequate, and provides a new theoretical analysis. Doctor of Philosophy in Linguistics (PhD)
2020 Dr. Furtado found that, despite its being a relatively obscure musical genre, the Brazilian tango is a body of work well worthy of further study. Through historical and musical analyses, he explores the Brazilian tango as a vehicle for pianists to develop technical and musical skills, and as an exciting option for concert programming. Doctor of Musical Arts in Piano (DMA)

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