Master of Arts in Cinema and Media Studies (MA)

Overview

The two-year M.A. program offers students the opportunity to pursue Cinema and Media Studies through coursework and an M.A. thesis project. Students are expected to give primary attention to an area of expertise of their choice while training in the broader theoretical, critical, and historical contexts of the field.  

The MA was renamed to “Cinema and Media Studies” from “Film Studies” for the cohort entering in September 2019. UBC’s MA in Film Studies existed between 1984 and 2018 and graduated nearly 50 students in that time.

Faculty research specialties include strengths in contemporary cinemas and media culture, one that highlights media and film theory, cult cinema, documentary studies, early cinema, feminist and post-feminist media studies, American, Canadian and European cinemas, television studies, and sound studies. There are particular strengths in contemporary Anglophone cinema and television products and cultures within a global context. Our students occasionally engage with professors and students in our renowned directing, design and film production graduate programs.

What makes the program unique?

As a selective boutique program, we provide close mentorship of all accepted students. We are usually able to provide teaching assistant experience to MA students in our large first and second year undergraduate courses. Graduate students have the opportunity to work on the film studies journal Cinephile. The Visual Resources Centre provides access to nearly 10,000 DVDs. The Centre for Cinema and Media Studies in the Department occasionally sponsors visiting scholars. UBC has the second largest research library in Canada, including the 30,000 Videomatica collection, a unique resource.

Quick Facts

Degree
Master of Arts
Subject
Creative and Performing Arts
Mode of delivery
On campus
Specialization
Cinema and Media Studies
Program Components
Coursework + Thesis required
Faculty
Faculty of Arts

Application Notes

The first intake for this program will be September 2019.

Requirements

TOEFL (ibT) Overall Score Requirement

100
22
21
22
21

IELTS Overall Score Requirement

6.5
6.0
6.0
6.0
6.0

Tuition / Program Costs

FeesCanadian Citizen / Permanent Resident / Refugee / DiplomatInternational
Application Fee$104.00$168.25
Tuition *
Installments per year33
Tuition per installment$1,632.61$2,868.22
Tuition per year$4,897.83$8,604.66
Int. Tuition Award (ITA) per year (if eligible) $3,200.00 (-)
Other Fees and Costs
Student Fees (yearly)$930.14 (approx.)
Costs of living (yearly)starting at $16,884.10 (check cost calculator)
* Regular, full-time tuition. For on-leave, extension, continuing or part time (if applicable) fees see UBC Calendar.
All fees for the year are subject to adjustment and UBC reserves the right to change any fees without notice at any time, including tuition and student fees. In case of a discrepancy between this webpage and the UBC Calendar, the UBC Calendar entry will be held to be correct.

Research Supervisors

This list shows faculty members with full supervisory privileges who are affiliated with this program. It is not a comprehensive list of all potential supervisors as faculty from other programs or faculty members without full supervisory privileges can request approvals to supervise graduate students in this program.

  • Coulthard, Lisa (film theory and violence; film sound and violence, contemporary American and European cinemas, continental philosophy and Lacanian theory)
  • Frackman, Kyle (German studies, gender studies, sexuality studies, literature, film, East Germany, Scandinavia, affect, media)
  • Iurascu, Ilinca ( German literature, media theory, cultural studies, film studies, critical theory, visual studies, media archeology)
  • Johnston, Kirsty (Dramatic literature and theatre history with particular interest in disability arts and intersections between health, disability and performance )
  • Karwowska, Bozena (Sexuality, Body and Gender in Nazi Concentration Camps)
  • Liu, Siyuan (twentieth century Chinese theatre and Asian Canadian theatre)
  • Marshall, Hallie (Theatre, Ancient Greek Theatre, Classics, Reception Studies, History of the Book, Tony Harrison, Contemporary British Theatre, Poetry)
  • Mathijs, Ernest (film, alternative cinema, independent cinema, European cinema, horror film, David Cronenberg, film audiences, film festivals, censorship, fantasy film, Lord of the Rings, Film studies)
  • McIlroy, Brian (Documentary, Early Cinema, Irish Cinema, Canadian and US Cinema, Television Drama)
  • Mota, Miguel (Post-1945 British literature, print culture)
  • Orbaugh, Sharalyn (modern Japanese culture (literature, film, manga, animation, kamishibai); East Asian women’s issues; anti-racist pegagogy, Japanese narrative and visual culture)
  • Rea, Christopher (Modern Chinese literature and cinema since the 19th century, Chinese cartoons and visual culture, Chinese print and popular culture, Chinese internet culture, humour and satire, Taiwan, Chinese culture, modern Chinese history, translation )
  • Santos, Alessandra (Comparative Literary and Cultural Studies , Latin American Literatures and Cultures , Brazilian Literature and Culture, Modern and Contemporary Literatures and Cultures)
  • Scholte, Tom (Theatre, film, and television)
  • Smith, Tai (Modern and Contemporary Art and Design, Media Theory, Politics of Media and Mediation, Gender, Textiles)
  • Soussloff, Catherine (Art, Art History, European Art, Performance Art, Performance Studies, Art Theory, Aesthetics, Philosophy of art, historiography and theory of European art)
  • Testa, Carlo (Italian literature, history of cinema, theory/film studies )
  • Tomc, Sandra (Nineteenth-century US literature, twentieth- century US entertainment and film, gothic literature and film, screenwriting, affect and psychoanalytic theory, fear and horror, film and image theory)
  • Walsh, Shannon (South Africa, Indigenous Studies, Afropessimism & Critical Race Studies, Documentary, Environmental Justice, Affect Theory)
 
 

Program Information

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