Doctor of Philosophy in Cinema and Media Studies (PhD)
The Ph.D. program offers students the opportunity to pursue Cinema and Media Studies through coursework, comprehensive exams, a viva, and a dissertation project. Students are expected to give primary attention to an area of expertise of their choice while training in the broader theoretical, critical, and historical contexts of the chosen field.
Faculty research specialties include strengths in contemporary cinemas and media culture, one that highlights media and film theory, cult cinema, documentary studies, early cinema, feminist and post-feminist media studies, American, Canadian and European cinemas, television studies, and sound studies. There are particular strengths in contemporary Anglophone cinema and television products and cultures within a global context. Our students occasionally engage with professors and students in our renowned directing, design and film production graduate programs.
We accept up to two students per year, and we strongly urge applicants to consider whether their project matches our faculty’s past expertise or current research interests.
What makes the program unique?
B.C.’s favourable position as a hub for the international film and media production industry allows opportunities for research topics and case studies not easily available elsewhere.
As a selective boutique program, we provide close mentorship of all accepted students. We are usually able to provide teaching assistant experience to PhD. students in our large first and second year undergraduate courses. At the ABD stage, students may have the opportunity to teach an undergraduate course. Graduate students have the opportunity to work on the film studies journal Cinephile. The Visual Resources Centre provides access to nearly 10,000 DVDs. The Centre for Cinema and Media Studies in the Department occasionally sponsors visiting scholars. UBC has the second largest research library in Canada, including the 30,000 Videomatica collection, a unique resource.
With strengths in contemporary cinemas and media culture, the current faculty offer a program that highlights media and film theory, cult cinema, documentary studies, feminist and post-feminist media studies, American, Canadian and European cinemas, television studies, and sound studies. There are particular strengths in contemporary Anglophone cinema and television products and cultures within a global context.
UBC Library is the home of the 30,000 plus Videomatica collection recently purchased and catalogued, a unique resource.
The first intake for this program will be September 2019.
TOEFL (ibT) Overall Score Requirement
IELTS Overall Score Requirement
Prior degree requirements
Master's degree in Cinema Studies, Film Studies or Media Studies.
All full-time students who begin a UBC-Vancouver PhD program in September 2018 or later will be provided with a funding package of at least $18,000 for each of the first four years of their PhD. The funding package may consist of any combination of internal or external awards, teaching-related work, research assistantships, and graduate academic assistantships. Please note that many graduate programs provide funding packages that are substantially greater than $18,000 per year. Please check with your prospective graduate program for specific details of the funding provided to its PhD students.
Tuition / Program Costs
|Fees||Canadian Citizen / Permanent Resident / Refugee / Diplomat||International|
|Installments per year||3||3|
|Tuition per installment||$1,665.26||$2,925.58|
|Tuition per year|
(plus annual increase, usually 2%-5%)
|Int. Tuition Award (ITA) per year (if eligible)||$3,200.00 (-)|
|Other Fees and Costs|
|Student Fees (yearly)||$930.14 (approx.)|
|Costs of living (yearly)||starting at $16,884.10 (check cost calculator)|
All fees for the year are subject to adjustment and UBC reserves the right to change any fees without notice at any time, including tuition and student fees. Tuition fees are reviewed annually by the UBC Board of Governors. In recent years, tuition increases have been 2% for continuing domestic students and between 2% and 5% for continuing international students. New students may see higher increases in tuition. Admitted students who defer their admission are subject to the potentially higher tuition fees for incoming students effective at the later program start date. In case of a discrepancy between this webpage and the UBC Calendar, the UBC Calendar entry will be held to be correct.
This list shows faculty members with full supervisory privileges who are affiliated with this program. It is not a comprehensive list of all potential supervisors as faculty from other programs or faculty members without full supervisory privileges can request approvals to supervise graduate students in this program.
Coulthard, Lisa (film theory and violence; film sound and violence, contemporary American and European cinemas, continental philosophy and Lacanian theory)
Frackman, Kyle (Arts, Literature and Subjectivity, Arts and Literary Policies, Arts and Cultural Traditions, Arts and Technologies, Artistic and Literary Theories, Literary or Artistic Work Analysis, Social Determinants of Arts and Letters, Cultural Industries, Sexuality, German studies, gender studies, sexuality studies, literature, film, East Germany, Scandinavia, affect, media)
Iurascu, Ilinca (Arts and Technologies, Artistic and Literary Theories, Media and Society, Arts and Cultural Traditions, Theories and Philosophies, German literature, media theory, cultural studies, film studies, critical theory, visual studies, media archeology)
Johnston, Kirsty (Dramatic literature and theatre history with particular interest in disability arts and intersections between health, disability and performance )
Karwowska, Bozena (Sexuality, Body and Gender in Nazi Concentration Camps)
Liu, Siyuan (twentieth century Chinese theatre and Asian Canadian theatre)
Marshall, Christopher Warren (Literary or Artistic Works Analysis, Performance and Theatrical Productions)
Marshall, Hallie (Performance and Theatrical Productions, Religion, Culture and Space, Arts and Cultural Traditions, Poetry, Cultural Industries, Literary or Artistic Work Dissemination or Reception Contexts, Theatre, Ancient Greek Theatre, Classics, Reception Studies, History of the Book, Tony Harrison, Contemporary British Theatre, Poetry)
Mathijs, Ernest (film, alternative cinema, independent cinema, European cinema, horror film, David Cronenberg, film audiences, film festivals, censorship, fantasy film, Lord of the Rings, Film studies)
McIlroy, Brian (Documentary, Early Cinema, Irish Cinema, Canadian and US Cinema, Television Drama, British Cinema)
Mota, Miguel (Post-1945 British literature, print culture)
Orbaugh, Sharalyn (modern Japanese culture (literature, film, manga, animation, kamishibai); East Asian women’s issues; anti-racist pegagogy, Japanese narrative and visual culture)
Rea, Christopher (Modern Chinese literature and cinema since the 19th century, Chinese cartoons and visual culture, Chinese print and popular culture, Chinese internet culture, humour and satire, Taiwan, Chinese culture, modern Chinese history, translation )
Santos, Alessandra (Artistic and Literary Analysis Models, Artistic and Literary Theories, Arts and Cultural Traditions, Arts and Technologies, Comparative Literary and Cultural Studies , Latin American Literatures and Cultures , Brazilian Literature and Culture, Modern and Contemporary Literatures and Cultures)
Scholte, Tom (Theatre, film, and television)
Smith, Tai (Arts and Technologies, Economical Contexts, Modern and Contemporary Art and Design, Media Theory, Politics of Media and Mediation, Gender, Textiles)
Soussloff, Catherine (Art, Art History, European Art, Performance Art, Performance Studies, Art Theory, Aesthetics, Philosophy of art, historiography and theory of European art)
Testa, Carlo (Italian literature, history of cinema, theory/film studies )
Tomc, Sandra (Nineteenth-century US literature, twentieth- century US entertainment and film, gothic literature and film, screenwriting, affect and psychoanalytic theory, fear and horror, film and image theory)
Walsh, Shannon (Film Making, Production and Exploration in Visual Arts, AIDS / HIV, Political Culture, Society and Ideology, Ideological, Political, Economical and Social Environments of Social Transformations, Sexuality, Social Determinants of Health, South Africa, Indigenous Studies, Afropessimism & Critical Race Studies, Documentary, Environmental Justice, Affect Theory)