Jialin (Lydia) Chen
Master of Arts in Educational Studies (MA)
Love in Education
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In a time when the very thought of education is pervaded by the language and practices of standardization and efficiency, our subjectivity–the inner space of human experience that makes up who we are as singular beings–gets lost. As such, the very existence of the subject and its possibilities of reconstruction are at stake. Working from a reconceptualized field of curriculum, this study takes up the question of formation and asks in what ways subjectivity might get constituted through educational experience. The German notion of Bildung–which posits education as a process of formation or “becoming oneself”–offers crucial insights to the rethinking of educational experience today, in the effort to reclaim subjectivity, along with its sense of existential significance. Studying the process from a psychoanalytic perspective, I wish to shift the discussion of educational experience from psychological, behavioral, and other pragmatic connotations, and return it to a speculative philosophical investigation of what it means to become who we are, and what that entails in terms of desire and the unconscious. Exploring the phenomenon of subjective formation in relation to aspects such as philosophical anthropology, psychic dynamics, technology, and Eros, I come to conclude that an education that is inattentive to the inner life of the subject cannot be properly called education. The free associations I establish between curricular and psychoanalytic theory leads me to a basic and yet fundamental understanding of the process of becoming: the idea that subjectivity gets reconstructed in educational experience through an ongoing dialectic of struggle and reconciliation. While this dialectic exposes the drama of the split condition of the subject, with its failures and frustrations, it also offers the promise of the possibility of subjective reconstruction and change. It is an invitation to take risks, to learn to let go, and to imagine what might be.
Addyson Frattura-Kampschroer’s thesis is made within the tradition of humanities-based research. The thesis is a form of literary philosophy that practices pre-qualitative methods. Frattura-Kampschroer’s work is in partial fulfilment for the degree of Master of Arts in Educational Studies at the University of British Columbia. The thesis is a form of literary philosophy insofar as it is a philosophical work written in the literary form of a narrative. In essence, the claims are made narratively and then supported and analyzed throughout the use of metaphors, themes, and figures. The narrative is comprised of childhood vignettes of the rural Midwest. The vignettes carry the concepts through to provide particular sites for questioning and conceptualizing. Frattura-Kampschroer functions as the narrator as she tells stories in the style of creative non-fiction. However, the narrator, places, and stories are not of primary importance; they and unimportant things in unimportant places. What is of extreme importance are the concepts: prefigurative politics and freedom. Rather than addressing the concepts qualitatively, in the methodological style of the social sciences, the narrative itself is the method. More specifically, the thesis utilizes a pre-qualitative method. Finally, the narrative also exposes the pedagogical experience of a continually evolving learner, a learner who questions the context in which they are questioning. The supervisory committee is formed by four faculty members from the University of British Columbia. The committee is comprised of: Carl Leggo, Vanessa de Oliveira Andreotti, William Pinar, and the primary supervisor being Sam Rocha.