Visual Arts
The program provides a period of intensive conceptual and technical development for those students wishing to pursue a professional career in advanced contemporary art. The M.F.A. degree is also the standard qualifying degree for teaching visual arts at the post-secondary level. The M.F.A. program is dedicated to helping students understand both the making and theorizing of the art object against the background of the diverse intellectual environment of a major university. Students in the program may work in any area of contemporary art production including painting, drawing, printmaking, performance, three-dimensional and installation work, photography, digital, multimedia, or in any interdisciplinary form.
Faculty Members in Visual Arts
| Name | Research Interests |
|---|---|
| Adriasola Munoz, Ignacio Alberto | investigates responses by artists and intellectuals to the crisis of aesthetic and political representation triggered by the failed protests against the US-Japan Security Treaty of 1960, and in particular their reliance on depictions of the sexual and geographical margins in their articulation of an aesthetics of political disaffection. |
| Claxton, Dana | film, video, photography, single- and multi-channel video installation, and performance art |
| Georgopulos, Nicole | Art history and theory; French art; nineteenth-century art and visual culture; art and science; gender and early feminism |
| Gu, Xiong | Fine Art. Transcultural identity and hybridity. Through the critical angle of visual art, my work encompasses other elements such as sociology, geography, economics, politics, literature; and finally, the dynamics of globalisation, local culture and individual identity shifts. These shifts do not merely constitute a simple amalgamation of two original subjects, but instead, seek to create an entirely new space., Installation, painting, drawing, photography, contemporary art theory |
| James, Gareth | histories of iconoclasm in which the social divisions and inequities that mark and delimit artistic practice are registered most emphatically |
| Koh, Germaine | Visual art |
| Makris, Georgios | Arts of Byzantium; Material culture and archaeology of monasticism; Dissemination and usage of portable objects across the eastern Mediterranean; Medieval monastic culture |
| Mansoor, Jaleh | Art history and theory; Curatorial and related studies; Visual arts and media arts; Cultural Industries; Formalism; Marxism and Critical Theory; Marxist Feminism; Modernism; Twentieth Century European Art |
| Mitchell, Karice | Visual art |
| Monteyne, Joseph | History of art and architecture; Visual theory, visual culture and visual literacy; Media studies (except social media and digital media); British history; Renaissance/early modern art and print culture; early modern landscape and eco-criticism |
| Orell, Julia | History of Chinese Art; Landscape painting of the Song and Yuan dynasties; Construction of place, site, region, and empire in painting and other visual media; Art and the production of knowledge; Cultural and historical geography; History of cartography |
| Peck, Alexandra | Social and cultural anthropology; Other studies related to history and archaeology; Art history and theory; Native tribes and First Nations in the Pacific Northwest; historical Northwest Coast art; Salish (Coastal and Interior) art; Anthropology/anthroplogical methods; Material culture, archaeology, museums |
| Pina Baldoquin, Manuel | Images |
| Porto, Nuno | Self-representation of African identities in contemporary Afro-Cuban Art and in Kenyan photography, Modern and contemporary arts of Africa and the African Diasporas, Curatorship and social justice, Social museology, History of collections, Photography |
| Roy, Marina | Intersection between materials, history, language, and ideology |
| Salgirli, Saygin | History of art and architecture; Architectural history and theory; Art theory and analysis; Ottoman Art, Islamic Art, Medieval Art, Early Modern Art, Mediterranean Art, Architectural History |
| Shelton, Anthony | Mexican and Andean visual culture, critical museology, development of folk art, aesthetics |
| Shirazi, Sadia | transregional histories of modernism and contemporary art; histories of art; art and activism; race and racialization; migration and diaspora; gender and sexuality; black and postcolonial thought |
| Silver, Erin | Art history and theory; Curatorial and related studies; Visual arts and media arts; Activism and visual culture; Artist or Author Social Identity; Artistic and Literary Marginality; Artistic and Literary Movements, Schools and Styles; Canadian contemporary art; Feminist art histories; Movement culture; Performance studies; Queer art; social movements |
| Smith, Tai | History of art and architecture; Art theory and analysis; Visual theory, visual culture and visual literacy; Arts and Technologies; Economical Contexts; Gender; media theory; Modern and Contemporary Art and Design; Politics of Media and Mediation; Textiles |
| Starling, Dan | |
| Thauberger, Althea | Art history and theory; Curatorial and related studies; Visual arts and media arts; Biopolitics and institutional critique/reform; Media philosophy; Photographic history/theory; Settler decolonization, and site-based art and activism |
| Usher, Camille | Art theory and analysis; Contemporary art; Indigenous visual culture; curatorial practices; Museum studies; feminism and performance; public art and graffiti |