Visual Arts
The program provides a period of intensive conceptual and technical development for those students wishing to pursue a professional career in advanced contemporary art. The M.F.A. degree is also the standard qualifying degree for teaching visual arts at the post-secondary level. The M.F.A. program is dedicated to helping students understand both the making and theorizing of the art object against the background of the diverse intellectual environment of a major university. Students in the program may work in any area of contemporary art production including painting, drawing, printmaking, performance, three-dimensional and installation work, photography, digital, multimedia, or in any interdisciplinary form.
Faculty Members
| Name | Research Interests |
|---|---|
| Adriasola Munoz, Ignacio Alberto | investigates responses by artists and intellectuals to the crisis of aesthetic and political representation triggered by the failed protests against the US-Japan Security Treaty of 1960, and in particular their reliance on depictions of the sexual and geographical margins in their articulation of an aesthetics of political disaffection. |
| Claxton, Dana | film, video, photography, single- and multi-channel video installation, and performance art |
| Frei Njootli, Jeneen | Indigenous sovereignty; decolonization; Production, dissemination and embodiment of images |
| Gu, Xiong | Fine Art. Transcultural identity and hybridity. Through the critical angle of visual art, my work encompasses other elements such as sociology, geography, economics, politics, literature; and finally, the dynamics of globalisation, local culture and individual identity shifts. These shifts do not merely constitute a simple amalgamation of two original subjects, but instead, seek to create an entirely new space., Installation, painting, drawing, photography, contemporary art theory |
| James, Gareth | histories of iconoclasm in which the social divisions and inequities that mark and delimit artistic practice are registered most emphatically |
| Mansoor, Jaleh | Cultural Industries; Modernism; Twentieth Century European Art; Formalism; Marxist Feminism; Marxism and Critical Theory |
| Monteyne, Joseph | Arts and Technologies; Renaissance/early modern art and print culture |
| Orell, Julia | History of Chinese Art; Landscape painting of the Song and Yuan dynasties; Construction of place, site, region, and empire in painting and other visual media; Art and the production of knowledge; Cultural and historical geography; History of cartography |
| Pina, Manuel | Images |
| Roy, Marina | Intersection between materials, history, language, and ideology |
| Salgirli, Saygin | architecture of fourteenth-century Bursa, the first Ottoman capital |
| Shelton, Anthony | Mexican and Andean visual culture, critical museology, development of folk art, aesthetics |
| Silver, Erin | Artist or Author Social Identity; Artistic and Literary Marginality; Artistic and Literary Movements, Schools and Styles; Social Movements; Canadian contemporary art; Queer art; Feminist art histories; Activism and visual culture; Performance studies; Movement culture |
| Smith, Tai | Arts and Technologies; Economical Contexts; Modern and Contemporary Art and Design; media theory; Politics of Media and Mediation; Gender; Textiles |
| Soussloff, Catherine | Art, Art History, European Art, Performance Art, Performance Studies, Art Theory, Aesthetics, Philosophy of art, historiography and theory of European art |
| Thauberger, Althea | Photographic history/theory; Media philosophy; Biopolitics and institutional critique/reform; Settler decolonization, and site-based art and activism |
| Watson, Donald Scott | Contemporary Canadian art, art issues and art theory |
| Zeigler, Barbara | Visual Art (Print Media, Printmaking, Drawing, Installation Art, Video, and Collaborative/Public Art), Environmental Politics, Animal Studies, BC Salmon Populations |