Art History
Master of Arts
Department of Art History, Visual Art & Theory
The Department of Art History, Visual Art and Theory comprises three streams of research-based learning and practice: Art History, with a particular focus on theoretical and critical discourses concerning the social impact of art and visual representation at both the undergraduate and graduate levels; Critical and Curatorial Studies, examining through research and exhibition projects issues in contemporary visual culture and display; and Visual Art, with an undergraduate curriculum placing art production, academic learning and a graduate emphasis on preparation for participation in the field of contemporary international art.
Graduate Degree Programs
Research Supervisors
| Name | Research Interests |
|---|---|
| Adriasola Munoz, Ignacio Alberto | investigates responses by artists and intellectuals to the crisis of aesthetic and political representation triggered by the failed protests against the US-Japan Security Treaty of 1960, and in particular their reliance on depictions of the sexual and geographical margins in their articulation of an aesthetics of political disaffection. |
| Claxton, Dana | film, video, photography, single- and multi-channel video installation, and performance art |
| Georgopulos, Nicole | Art history and theory; French art; nineteenth-century art and visual culture; art and science; gender and early feminism |
| Gu, Xiong | Fine Art. Transcultural identity and hybridity. Through the critical angle of visual art, my work encompasses other elements such as sociology, geography, economics, politics, literature; and finally, the dynamics of globalisation, local culture and individual identity shifts. These shifts do not merely constitute a simple amalgamation of two original subjects, but instead, seek to create an entirely new space., Installation, painting, drawing, photography, contemporary art theory |
| James, Gareth | histories of iconoclasm in which the social divisions and inequities that mark and delimit artistic practice are registered most emphatically |
| Makris, Georgios | Arts of Byzantium; Material culture and archaeology of monasticism; Dissemination and usage of portable objects across the eastern Mediterranean; Medieval monastic culture |
| Mansoor, Jaleh | Art history and theory; Curatorial and related studies; Visual arts and media arts; Cultural Industries; Formalism; Marxism and Critical Theory; Marxist Feminism; Modernism; Twentieth Century European Art |
| Monteyne, Joseph | Art history and theory; Curatorial and related studies; Visual arts and media arts; Arts and Technologies; Renaissance/early modern art and print culture |
| Orell, Julia | History of Chinese Art; Landscape painting of the Song and Yuan dynasties; Construction of place, site, region, and empire in painting and other visual media; Art and the production of knowledge; Cultural and historical geography; History of cartography |
| Peck, Alexandra | Social and cultural anthropology; Other studies related to history and archaeology; Art history and theory; Native tribes and First Nations in the Pacific Northwest; historical Northwest Coast art; Salish (Coastal and Interior) art; Anthropology/anthroplogical methods; Material culture, archaeology, museums |
| Pina Baldoquin, Manuel | Images |
| Porto, Nuno | Self-representation of African identities in contemporary Afro-Cuban Art and in Kenyan photography, Modern and contemporary arts of Africa and the African Diasporas, Curatorship and social justice, Social museology, History of collections, Photography |
| Roy, Marina | Intersection between materials, history, language, and ideology |
| Salgirli, Saygin | architecture of fourteenth-century Bursa, the first Ottoman capital |
| Shelton, Anthony | Mexican and Andean visual culture, critical museology, development of folk art, aesthetics |
| Silver, Erin | Art history and theory; Curatorial and related studies; Visual arts and media arts; Activism and visual culture; Artist or Author Social Identity; Artistic and Literary Marginality; Artistic and Literary Movements, Schools and Styles; Canadian contemporary art; Feminist art histories; Movement culture; Performance studies; Queer art; social movements |
| Smith, Tai | History of art and architecture; Art theory and analysis; Visual theory, visual culture and visual literacy; Arts and Technologies; Economical Contexts; Gender; media theory; Modern and Contemporary Art and Design; Politics of Media and Mediation; Textiles |
| Starling, Dan | |
| Thauberger, Althea | Art history and theory; Curatorial and related studies; Visual arts and media arts; Biopolitics and institutional critique/reform; Media philosophy; Photographic history/theory; Settler decolonization, and site-based art and activism |
| Usher, Camille | Contemporary art; Indigenous visual culture; curatorial practices; Museum studies; feminism and performance; public art and graffiti |
Stories
